Iram Sultan is familiar with intuitively how style and design can cause emotion, and she has introduced a assortment of activities to life in a stunning new job in Gurgaon. The House of Memories is an homage to her customers and their assorted, vivid personalities—and is a riveting illustration of how dynamic just about every space can be. “The areas are reflective of the persons who possess it,” clarifies Sultan, “I found the customers are exceptionally heat, gracious hosts, and I required that to clearly show in their public spaces, regardless of whether it’s developed for a significant gathering, like in the basement, or a compact collecting, like in the very first-flooring lounge.”
The 3-storey home spans a sprawling 12,000 sq. ft, which gave Sultan the opportunity to perform with a range of aesthetic tropes—from official and opulent, to plush, pastel and cosy. A black-and-white motif recurs during the household, unifying the rooms devoid of intruding into their unique models. “I like areas that evolve,” states Sultan, “People are diverse in the morning than they are in the night, various as a family members than when they are entertaining friends—and I imagine as a designer you require to cater to each and every facet of their life.”
The double-top entrance is clad in a herringbone arrangement of brick, which is then accentuated by a brick cornice. A sculptural cluster of globular silk lamps by Atelier Lumys makes for a visually arresting tableau, and delicately improves the substance texture. Terracotta-toned stone flooring is highlighted by a black-and-white border, a style and design element that hints at the palette utilized in the rest of the residence.
The basement is the family’s main amusement location, and opens onto the outside courtyard. Warm oak floors are offset by a black-and-white marble border—a continuation of the motif that threads by way of the home. The brick partitions are ornamented with black stone corners and wooden panelling. The huge dining table by DeMuro Das is crafted all over a column clad in textured ivory and black tiles. The furniture, substantially of which was also sourced from DeMuro Das, is a clean of product and black—ebony, onyx, charcoal. A smooth tone of liquorice glimmers on the bar. Bathed in warm lamplight, the jute and sisal upholstery softens the palette. The basement also sees a splurge of good artwork: an all-black operate on paper by Sachin George Sebastian an acrylic on linen work by Biraaj Dodiya a huge canvas diptych by Rewati Shahani and a print diptych by Thukral and Tagra. In the courtyard past is a mural by nearby artist Lalit Kumar, established within just brick arches in opposition to the backdrop of the commanding tree.