Inside Designer Sister Parish’s Household From 1968

For our 125th anniversary this year, we are diving into the Residence Lovely archive to resurface spaces that encourage us just as significantly now as when they 1st appeared in our webpages. Right here, we take a appear again at the Manhattan apartment of famous designer Sister Parish, first printed in our October 1968 problem. Loaded with antiques from all around the environment and outfitted with delightful details—like trompe l’oeil murals—the house is moody, exquisite, and divinely inviting.

Moreover, Parish’s individual touches—decorative plates on exhibit in the bedroom and portraits of pet dogs throughout—make it an outstanding design of imaginative decorating. In this article, with chocolate brown walls, satins, and silks, we see a far more lush departure from the the calm, traditional seem Parish was recognized for—proof, in fact, of the designer’s breadth of expertise (a talent that plainly ran in the family—see Parish’s fantastic-granddaughter’s residence, showcased in our September 2020 concern, here).

The temper is the rustle of taffeta, Fragonard shade, the glint of bronze doré. This is the Manhattan condominium of Mrs. Henry Parish II, a designer-decorator to whom numerous good homes owe their panache. On her aspect of the current style spectrum, shades are subtle, sumptuous products are generously applied, the antique and the marvelously manufactured are not basically cherished but lived with.

O. Philip Roedel

Living room—an exquisite omnium gatherum of a lot of origins, versus the new, wet-gleaming glimpse of partitions glazed chocolate brown. Fabrics: chalk-white silk damask, cream satin, a French document chintz à la Chinoise. Espresso tables—one lacquered red, 1 sheathed in painted silk—are fashionable Chinese. From England, a 17th century sconce mirror and the cupboard, now a treasury for uncommon “musical” Lowestoft.

O. Philip Roedel

From a villa in the Veneto, trompe l’oeil wallcoverings panel the dining area with garlanded, desire-sequence architecture, reverse. Tables are 18th-century French chairs, painted Directoire chandelier, a crystal confection produced in 18th-century Italy.

O. Philip Roedel

4-poster in Mrs. Parish’s bedroom is lavishly canopied in a print of her have design and style, distribute with an antique quilt—all a sunset merge of melon and yellow. Higher than the sofa: a beguiling poodle, just one of a assortment of 18th-century French animal paintings.

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